Deb steidel

It was Tiffany who trademarked the word ‘Favrile,’ an old French term for ‘handmade’ in 1894, an ethos at the forefront of Debra Steidel’s artwork. As the conviction of Debra Steidel’s sculptures speak through the harmonious bond between the form of each vessel and intricacy of each sculptural lid, the vitality of the lidded sculpture has never been so alluringly present. The defining influence of Art Nouveau undoubtedly lingers in the expression of each Steidel masterpiece, yet perhaps the most fascinating parallel between Debra’s mixed media sculpture and the brilliance of the Nouveau legendaries is the uncanny resemblance to René Lalique’s (1860 -1945) sinuous creativity and artistic genius

It was Tiffany who trademarked the word ‘Favrile,’ an old French term for ‘handmade’ in 1894, an ethos at the forefront of Debra Steidel’s artwork.

As the conviction of Debra Steidel’s sculptures speak through the harmonious bond between the form of each vessel and intricacy of each sculptural lid, the vitality of the lidded sculpture has never been so alluringly present. The defining influence of Art Nouveau undoubtedly lingers in the expression of each Steidel masterpiece, yet perhaps the most fascinating parallel between Debra’s mixed media sculpture and the brilliance of the Nouveau legendaries is the uncanny resemblance to René Lalique’s (1860 -1945) sinuous creativity and artistic genius